He made his debut with Eugenio Nobile at the Palais de Glace. With it he accompanied, among others, the singer Osvaldo Ribó in some recordings and the female Singer Silvia Del Campo, wife of the horse racing commentator, Mineral.įrancisco Ferraro: bandoneonist born in Buenos Aires on July 27, 1909.

In 1961 he quit to put together his own orchestra. In 1939 he joined Tanturi and played all the bandoneon solos. He began with a juvenile orchestra named Claudio, of an unknown career. Héctor Gondre: bandoneonist, born in Buenos Aires on October 27, 1920. In 1932 there was a group with good players but with a short tenure: Los Magos del Tango with Daniel Álvarez and Nicolás Pepe (bandoneons), Juan Polito (piano), Sevilla (violin) and Roberto Arrieta on vocals. He played in the groups that accompanied Alberto Marino, Tania, Héctor Mauré and María de la Fuente. His thirty-year career was with the aggregations of Manuel Buzón, Julio De Caro, Federico Scorticati (as lead violin), Landó-Mattino, Miguel Nijensohn, Florindo Sassone, Carlos Marcucci, Pedro Maffia, Pedro Laurenz, Alfredo Attadía and a busy season with Tanturi. He worked as a musician on a ship that entered the United States several times. He began with classical music but soon he devoted to tango. Or on April 17, according to different authors. Tanturi committed to record seven of his numbers in collaboration with Juan Bautista Gatti: the waltzes: “ Al pasar” and “ Mi romance”, the tangos: “ Ana Lucía”, “ Cuatro recuerdos”, “ Desde lejos”, “ Igual que un bandoneón”, “No la nombres, corazón” and “ El tango es el tango”.īernardo Sevilla: violinist born in Spain on April 14, 1904. He stayed until the leader quit the musical activity. He made his debut with a group in his neighborhood and only two years later he joined the Tanturi orchestra. At age seven he began to study his instrument. José Raúl Iglesias: bandoneonist, born in Avellaneda in 1913. As composer he wrote, among other tangos: “Delirando”, “Campanario”, “ Pinta orillera”, “ Cachivache”, “Derrotado”. In the late 20s he led the Orquesta Los Matreros in which Juan Carlos Miranda was on vocals. For a short tenure he played in the aggregation led by Julio De Caro.

Thereafter, the Orquesta Rostan (name that combines the surnames Rosich and Tanturi). He put together the Trío América, quite successful, along with Aquilini and Sureda. Later he switched to the group fronted by Adolfo Avilés. He started when he was a boy as member of a quartet with Antonio Sureda (bandoneon), Humberto Canataro (guitar) and Juan Carlos Aquilini (piano). The remarkable thing is that he continued along with the leader until the latter decided to put an end his thirty-year career.Īntonio Arcieri: violinist, born in Buenos Aires in 1909. In 1936 Tanturi, who had not yet recorded, appeared with the young pianist, who was only twenty-two, at the River Plate old stadium on Alvear Avenue and Tagle, opposite the Automóvil Club Argentino headquarters. At age twelve he already played, like many other musicians, in the intermission shows of the movie theaters. Also “Estas chicas se quieren casar” and “Muchachos escuchen” with lyrics by Carlos Lucero.Īrmando Posada: pianist born in Barracas on December 9, 1914. His work as composer and author was interesting and succeeded in recording, with Tanturi, eight of his numbers: “ La serenata (Mi amor)”, waltz “ Qué podrán decir”, “ Yo sé lo que te digo”, “No la nombres, corazón”, “ El corazón me decía”, “ Anselmo Laguna”, “ Esta noche hay una fiesta”, “ Qué bien te queda (Cómo has cambiado)”. Later he joined the orchestras led by Raúl Kaplún, Nicolás D'Alessandro, Francisco Lauro and, especially, for over twenty-five years he was the lead violinist for Ricardo Tanturi. He soon had his own orchestra which appeared on radio stations. Vicente Salerno: violinist born in Buenos Aires in 1907. For this work, we shall mention the names of those who best represented the aggregation. In his tango orchestra he had, in its different stages, musicians of outstanding quality. In 1943 the orchestra was formed by Armando Posada (piano), Francisco Ferraro, Héctor Gondre, Jose Raúl Iglesias, Emilio Aguirre and Juan Saettone (bandoneons), Armando Husso, Norberto Guzman, Alberto Taido and Vicente Salerno (violins) and Enzo Raschelli, later Ramon Outeda (bass), Alberto Castillo and later Enrique Campos as singers, this would be the base staff until its dissolution in 1951. Its initial personnel was: Emilio Aguirre and Francisco Ferraro (bandoneons), Antonio Arcieri and Pibetti (violins), Emilio Méndez (double bass) and on piano, its leader, Ricardo Tanturi. N 1933 he started with the Sexteto Típico Los Indios, a name he adopted inspired in a polo club.

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